AGATHA CHRISTIE, SHE WATCHED by Teresa Peschel

 

AGATHA CHRISTIE, SHE WATCHED

by Teresa Peschel

April 6 - May 15, 2026 Virtual Book Tour

Synopsis:

One Woman's Plot to Watch 201 Christie Adaptations Without Murdering the Director, Screenwriter, Cast, or Her Husband

 

Care to match wits with Hercule Poirot? Share tea and gossip with Miss Marple? Chase spies with Tommy and Tuppence? "Agatha Christie, She Watched" will introduce you to must-see movies (and must-avoid) dogs that prove Agatha's genius depicting the hopeful and dark sides of human nature. These movies will tantalize you, mystify you, and make you laugh at the folly of humanity.

Teresa Peschel watched and reviewed 201 adaptations, from the German silent movie "Adventures, Inc." (1929) to "See How They Run" and "Why Didn't They Ask Evans" (2022). Each film was rated for fidelity to the original material and its overall quality. Each review takes up two pages and comes with six cast photos, list of major actors, and known film locations. Foreign movies with English subtitles from India, France, Russia, and Japan are included. We include eight movies in which the fictional Agatha Christie solves murder mysteries, debates Poirot, battles a space wasp (in Doctor Who), and plots to kill her husband's mistress.

“Agatha Christie, She Watched” is the only comprehensive collection of reviews about Christie adaptations. Use it to find the movies made from the novels you love, fill in your movie collection or host an Agatha Christie festival of your own.

Praise for Agatha Christie, She Watched:

"From the German silent movie Adventures, Inc. (1929) to Why Didn't They Ask Evans? (2022), she covers all of your favourites (including the One True Poirot) and some you may never have heard of! The level of detail and vast array of images is incredible."
~ Labours of Hercule podcast

Book Details:

Genre: Movie & Video Reference, Movie & Video Guides & Reviews, Non-Fiction
Published by: Peschel Press
Publication Date: April 7, 2023
Number of Pages: 436 pages, Paperback
ISBN: 9781950347391 (ISBN10: 1950347397)
Book Links: Amazon | KindleUnlimited | Barnes & Noble | BookShop.org | Goodreads | BookBub | Peschel Press

Read an excerpt:

Introduction

I’ve always been a fan of Agatha Christie, but not an obsessive one. I didn’t read and reread the novels. I didn’t go looking for obscure short stories. I didn’t read (and still haven’t) her Mary Westmacott novels. I treated her like most people did: She wrote good mysteries, and if they were handy, I read them.

Then Bill began the Complete, Annotated project by publishing Dorothy L. Sayers’ Whose Body?, followed by Agatha’s The Mysterious Affair at Styles. Over the years, as he annotated the next five of Agatha’s early novels, I read them carefully for possible footnotes. As I did, I paid more attention to her writing, her deft plotting, her sly sense of humor, and her ability to describe a character with a few sentences.

As I became more familiar with her novels, I realized that she’s underrated, probably because she was categorized as a genre writer. Some even consider her works cozies. Clearly, they never read Appointment with Death (1938), And Then There Were None (1939), or Endless Night (1967). I suspect that her Mary Westmacotts — which are described as romances — are anything but.

The publishing world applies labels to make it easier for bookshops to shelve their books in the store, not because they’re accurate.

In July 2020, as the world began opening up from the Covid-19 shutdowns, I was at the library, looking for a DVD to borrow. I spotted Crooked House (2017). I liked the novel, so I thought, “Why not?”

Crooked House was the second Agatha Christie film adaptation I had seen. Sir Kenneth Branagh’s Murder on the Orient Express (2017) was the first.

We needed fodder for the website (peschelpress.com) and I’d already been reviewing books, so I wrote a review of Crooked House. This reminded me that Bill was working on an annotated edition of The Secret of Chimneys. Was there a movie version? A review for the book would be nice. There was. It was an episode in a box set from ITV’s Marple.

Oookaaaay.

Having become overly familiar with Chimneys, I knew Agatha wrote it years before Miss Marple was a twinkle in her eye. But we watched it anyway. It was terrible. Bill wrote his review for The Complete, Annotated Secret of Chimneys, and I wrote mine for the website.

Since the library’s Marple DVD set included three more episodes, we watched them and I reviewed them for the website.

That’s when Bill said the fateful words that brought us here: “Let’s watch more Agatha films. You write the reviews. I’ll post them on the website, and we’ll publish them as a book.”

So here we are nearly three years later. We had no idea how big the Agatha project would become or how many films have been made for cinema and TV. Bill and I have watched more than 200 adaptations. This includes all the English-language ones we could find beginning with Adventures, Inc. (a 1929 silent movie), and many of the foreign versions too. For those, we were limited by availability and whether or not they had English subtitles. It’s criminal neglect that some of the finest Agatha Christie film adaptations in the world are from Japan, yet they’re unavailable in the West.

To my knowledge, we are the only people who’ve watched all the films. I’m definitely the only person who’s written and posted reviews for all those forgotten TV shows and kinescopes.

Along the way, I became much, much more familiar with Agatha’s writing as I had to read the novels and short stories to compare them to the films. She was cutting edge from the beginning. She invented what we call The Poirot, the practice of bringing together the suspects, explaining the clues, and fingering the criminal. It was a trope born of necessity, when her first attempt — Poirot testifying at the trial — didn’t fly with her publisher.

She began experimenting with narrative structure in 1924 with The Man in the Brown Suit. That novel has two narrators, one of them unreliable. Brown Suit is also a romantic thriller disguised as a mystery. Read the passage where Anne Beddingfeld administers to a mysterious, half-naked, sexy stranger’s wounds. This scene could be ripped from any romance novel of today (the sweet kind, not the spicy which would include far more detail). As a side note, the 1989 TV movie is very true to the text despite being turned into a contemporary.

Agatha was an innovative writer throughout her career. Her The Seven Dials Mystery (1929) is a mash-up of P. G. Wodehouse and John Buchan thrillers. Partners in Crime (1929) is a loose cycle of 16 short stories starring Tommy and Tuppence. Each short story is also a parody of a famous mystery writer, including herself! And unlike Miss Marple and Hercule Poirot, Tommy and Tuppence aged in real time, from the young, eager lovers in The Secret Adversary (1922) to retired grandparents in Postern of Fate (1973).

And what’s And Then There Were None (1939), in which 10 characters are dispatched in an entertaining manner for their sins, but a PG-rated slasher flick? As a sign of its influence, the basic plot has been lifted, the serial numbers filed off, and rewritten in dozens more novels and movies. The A.B.C. Murders (1936) is a prototypical serial killer novel.

Agatha’s innovations could fill a book and go a long way to explaining why she’s still read today.

The other reason is more subtle.

Whatever you can say about the quality of the adaptations (like The Secret of Chimneys, bleah), they keep Agatha in the public eye. Never underestimate the importance of TV shows and movies on an author’s reputation. For each person who reads, 100 people go to the movies, and a 1,000 people watch TV. Every time an Agatha Christie film is shown, people who’ve never heard of her learn she exists. Some of them search out her books and discover how good her writing is.

When a writer dies, they can vanish under the constant tsunami of books being written and published daily. Dorothy L. Sayers is a prime example. Sayers wrote at the same time as Agatha. She’s highly regarded and her books are great. But her estate, unlike Agatha’s, shows no interest in licensing her stories and novels for TV or movies. Say the phrase: “Murder at Downton Abbey,” then ask why her literary estate isn’t capitalizing on Lord Peter Wimsey, detective in the peerage and a duke’s brother.

The Agatha Christie estate does not want her writing to suffer that fate, so they license her short stories and novels. Some adaptations are excellent; some are dreadful. For a few, the only commonality between novel and film is the name. Most range in between but all have something to offer, even if it’s only great period clothes, quality acting, or English Country House Porn. Linenfold paneling! Crenelated ceilings! Parquet floors as elaborate as the finest Persian carpet!

Excuse me while I stop and fan myself.

Watching 200+ Agatha adaptations also taught me plenty about filmmaking, pacing, and soundtracks. I can now, sometimes, recognize an actor from another adaptation. I’ve enjoyed seeing how one novel can be interpreted multiple ways, resulting in wildly different films. The Pale Horse (1961) is a good example. The three films (including Miss Marple in one!) are recognizably the same story, yet they’ve nothing to do with each other. The emphasis is different, the characters different, the tone is different.

I’ve watched 13 different Poirots (including an anime version). Seven different Marples (including an anime version). Multiple Tommy and Tuppences. Each actor or actress brings something new to the character.

The foreign films demonstrate how universal she is. She wrote about dysfunctional families, mapped the class divide, noticed the lengths we go to for status and security, and found reasons for murder ranging from money to passion to safety.

Ironically, foreign filmmakers respect Agatha more than she is at home. Appointment with Death (1938) has been filmed three times, but the Japanese version is the only one that captures the novel’s cruelty and horror. The two English language versions fail, one moderately and one spectacularly. Of the four versions of The Mirror Crack’d From Side to Side (1962), only the Japanese version gives a voice to Margo Bence, one of Agatha’s most abused secondary characters. The other three versions ignore her because to face Margo Bence’s pain would mean admitting that the film business cares nothing for children unless they can be sold to make money.

We did not watch every single foreign TV episode even when they were readily available. There just wasn’t enough time. The best we could do was see enough to convey the flavor of a given series. If you want to see them, enjoy yourself! They provide very different views of Agatha and can be rewarding.

The novel that’s been adapted the most is And Then There Were None (1939). We saw ten versions, ranging from a blurry kinescope to slick studio productions with an all-star cast, so it merits its own chapter. Some versions hew to the stage play with its radically rewritten ending. Others stick to the novel, nihilism intact. Some combine the stage play and the novel, so Vera Claythorne learns who the puppet master was, begs for her life, and receives rough justice.

One final warning before you go: spoilers abound, so beware! Unlike Agatha, I don’t play fair with my reviews and hide whodunnit. Where I play fair is in telling you what I thought of them. I liked films that critics panned, and I disliked films others loved. I say why. I go down sidetracks. I enjoyed myself and I hope you will too.

So won’t you join me for an Agatha Christie Movie Marathon? You’ve got hundreds of hours of viewing pleasure ahead of you. Just remember to never accept a cup of tea you didn’t make, or take trips to lonely islands (or châteaus, or country houses) with strangers.

How to use this book

The films are organized by the starring detective. Miss Marple comes first, followed by Poirot, and Tommy and Tuppence. Next, a chapter is devoted exclusively to And Then There Were None, followed by the rest of the adaptations, and the final chapter is movies in which Agatha herself is the star.

Each chapter opens with a photo gallery showing the actors and actresses who played her detectives and characters.

There’s also an index, which is more important than it appears.

Seems logical, yes? Except that some adaptations removed Agatha’s chosen detective, turning the novel into a police procedural. When that happens, the movie is not included in the detective’s chapter. It’s included in “The Rest of the Christies”. Many of the foreign adaptations fall into this category.

Other adaptations (cough, ITV’s Marple, cough) insert a detective who didn’t exist in the novel. That’s why many standalone novels appear in the Miss Marple chapter. She’s now the star of The Sittaford Mystery, Murder Is Easy, The Pale Horse, and others. She also appears in a Tommy and Tuppence novel, By the Pricking of My Thumbs. Similarly, Margaret Rutherford snatched two Poirot novels and made them her own, so they appear in the Miss Marple chapter.

The chapters dedicated to And Then There Were None and the movies not part of a detective series are self- evident. “Agatha the Star,” however, deserves an explanation. In addition to her stories, Agatha’s life has become fodder for Hollywood. This includes the dreadful Vanessa Redgrave/Dustin Hoffman biopic Agatha (1979), a documentary that quotes from her and her work, a Doctor Who episode, and three movies that show Agatha’s exciting life investigating mysteries in a parallel universe. It focuses on Agatha, not her writing. Any relationship to Agatha’s real life should be considered coincidental. Even the documentary in this chapter is not entirely reliable.

Within each chapter, the films are organized chronologically. As you move forward in time, you’ll see changes in how a character was depicted and movie-making styles. Adventures, Inc. (1929) sets the stage. It’s the earliest Agatha film and the scriptwriter, Jane Bess, played fast and loose with the text. She led the way for hack screenwriters everywhere to rewrite Agatha’s prose.

Each review gets two pages. We chose a banner image and six photos of important cast members. I rate films by fidelity to text (or life in “Agatha the Star,” and either the play or the novel in And Then There Were None) and by the quality of the movie overall. The two ratings are separate, but they complement each other and give you a clearer understanding of what to expect.

The cast lists place detectives and police at the top. Everyone else follows in rough order of importance. We group families together to make it easier to work out relationships. Our cast lists are not comprehensive but the main characters are there.

Also note that for those foreign films which don’t name their characters from the novel, we provide that information. This was omitted when they rewrote them so much (such as Unknown (1965), the Indian version of And Then There Were None) that it would not be helpful.

At the end of the list come the film locations, or (in a couple episodes) a song list. Internet Movie Database and Agatha Christie Wiki provided most of the locations, but Bill added to that from other sources (see the bibliography). Knowing the film locations means you, dear reader, can visit the same castle as Poirot or Miss Marple.

Subtitles matter to me. We always looked for versions with subtitles as so many actors mumble or the sound quality is bad. If I can’t understand the dialog, I miss important points. Not every DVD was released with subtitles.

Fortunately, some of the older films like the Joan Hickson Miss Marples are being cleaned up for streaming. They get subtitles. But they aren’t being released as new DVDs so, no subtitles. If you can watch a streamed version, no problem. If you must use your TV and DVD player, you’re out of luck.

We had to have subtitles for the foreign films. We couldn’t see some films we wanted to (we especially regret passing up the Japanese Murder on the Orient Express) because they either weren’t available with subtitles or they weren’t available at all.

The index will help you find a specific film. This isn’t just because some novels got Miss Marple inserted, putting them into the Miss Marple chapter. Agatha’s novels were often released under different names. For example, the novel Lord Edgware Dies (1933) was released in the U.S. as Thirteen At Dinner. It’s been filmed three times, twice as Lord Edgware Dies and once as Thirteen At Dinner. But they’re all based on the same novel and the index connects them.

I list all the names, with a note as to which film it applies to. Or, as with Margaret Rutherford, the film’s name doesn’t correspond to any edition of the novel but I tell you what to look for.

The bibliography provides further reading and shows where some of my information came from.

Enjoy the book. We enjoyed watching the movies, podcasting about many of them, and writing the reviews. We want it to be used, encouraging you to watch Agatha Christie on the screen, always different but always her.

How the movies are rated

Each movie is given two ratings. Fidelity of text is exactly what it sounds. How close is the film to the original text? Sometimes, only the names match. Other films are so faithful, they’re lifeless.

Quality of movie is about the movie itself. Did everything together work as a film? Often, a very good movie isn’t faithful to the text at all (see Miss Marple in Ordeal By Innocence (2007)). If something jars about the movie, I’ll indicate it here.

The rating icons demonstrate Agatha’s many, many ways of killing. Blunt objects, poisoned cocktails, garrotes, knives, guns, stranglers, being pushed down a flight of stairs. They usually reflect the first murder in the film.

A few films, such as And Then There Were None, get five different symbols to reflect all the ways those nasty people got iced.

How to find the movies

We watched the vast majority of the films on DVD on our TV set, the one our neighbors were throwing away. You’re correct that we count our pennies.

That’s why we use our public library. If yours is like ours, it contains a surprisingly large collection of Agatha Christie films. All you have to do is get a library card to borrow them.

You may, like us, have access to more than one library. It’s worth learning what’s available in your area. We belong to our local library (the Hershey Public Library) and to our county library (the much larger Dauphin County Public Library). They often carry different titles so I always check both before moving on to the next step.

Your library is bigger than your municipality, your county, or even your state. Ask for the interlibrary loan librarian. For us, it’s Denise Philips. Denise got us all kinds of DVDs from libraries across the country. This service is usually free, as libraries are tax-supported. Ask and you may be very pleased. The interlibrary loan may take a few weeks for the requested movie to arrive, but it nearly always will.

If Denise could not get us a title, Bill would search eBay and Amazon. We bought a universal DVD player so we could play DVDs from Europe.

There were obscure kinescopes that were on YouTube, so we watched them on the computer.

There are streaming services, including Amazon which gave us access to Britbox. Dailymotion let us watch the Japanese films.

We don’t recommend skeevy pirate sites. They’re illegal, don’t pay royalties to the creators, and whatever you get will be loaded with viruses and malware and the film may be incomplete or damaged.

*** A review ***

The Sittaford Mystery (2006)

Epic expansion of Trevelyan’s life
leaves little room for a coherent
mystery for Miss Marple to sort out

Fidelity to text: 1 pharaoh’s curse

The novel was eviscerated. The murder, séance, escaped prisoner, and a few names remain. Everything else, including the murderer, were altered beyond recognition. Miss Marple resented being shoved in; she stayed defiantly offstage for long stretches.

Quality of movie: 1½ pharaoh’s curses

The scriptwriter shoved ten pounds of plot into a five-pound running length and the result is incoherence with snow.

The Review

Queue up Sir Mix-a-Lot and “Baby Got Back” and recite along with me:

Oh. My. God.
Look at that plot!

You’ll have to sit through this episode twice (at least) to understand what’s going on. This film is 93 minutes long, not long enough for all the disparate plot threads to be woven in a cohesive fashion. The film needed a minimum of another twenty minutes running time to do it justice.

But since ITV didn’t do that, you, dear viewer, will be left asking what just happened? Rewind, dammit! That’s what we did. Repeatedly. Yet there were many moments when I still can’t tell you what was going on.

The trouble starts with forcing Miss Marple into a property that was never written for her. This can work: see ITV’s By the Pricking of My Thumbs, a Tommy and Tuppence novel.

Not here. In fact, Miss Marple disappeared for long stretches of the film, doing heaven only knows what in Sittaford House while sitting out the blizzard. Maybe she was questioning the staff (we only see one servant in the mansion but there must be more), knitting, and speed-reading Captain Trevelyan’s memoirs. She certainly wasn’t at the Three Crowns Inn, inspecting the body and questioning the guests, even though most of the action takes place there.

An entirely new plot is shoehorned in, vastly expanding Captain Trevelyan’s character and backstory. Suddenly, he’s a war hero (WWI), a suspected war profiteer (WWII), an Olympic skater in between (I think; the dialog was incomprehensible at many key points), a major candidate to be the next prime minister (Winston Churchill (!) has a scene with Captain Trevelyan), and he’s a noted archeologist having discovered a major tomb in Egypt back in 1927 that made his fortune! Compared with Capt. Trevelyan, Indiana Jones was a lazy amateur.

But all this rewriting was necessary to give Timothy Dalton scenery to chew to earn his paycheck. In the novel, Captain Trevelyan exists to be swiftly murdered. He doesn’t even get one line. In the movie — since he’s Timothy Dalton — when he’s not emoting in front of us, he’s the topic of conversation by the other characters.

Which I can understand. It’s Timothy Dalton, and my goodness does he look yummy. Some men age very well and he belongs to that lucky cohort. He’s also got to be expensive so the producers made sure to get their money’s worth. Pity they didn’t spend some of their money on a better script or more film stock.

But he didn’t age that well. I had a hard time believing that virginal, lovely, dewy, eighteen-year-old Violet Willets (Carey Mulligan) fell madly in love with a man old enough to be her grandfather. I know why he did, and it’s not just because Violet resembles the woman he callously abandoned twenty-five years prior in Egypt. Violet is delicious, naïve, and believes every word he says and what man doesn’t want that? As for Violet, she didn’t come across as a gold-digger, which is the usual reason sweet 18-year-olds marry men old enough to be their grandfather. Or maybe she was one and the tacked-on ending where Violet runs off to Argentina with Emily Trefusis proves it.

Violet certainly wasn’t broken up about her husband being murdered on their wedding night. If anything, she seemed relieved. She got it all. The Trevelyan name, the inheritance, two tickets to Buenos Aires, and she didn’t have to sacrifice her sweet toothsome body to some old man, even if he was Timothy Dalton.

The Egyptian subplot was of major importance yet it didn’t make any sense. There was the paranormal aspect too, with a ghostly maiden showing up in Captain Trevelyan’s visions. Was there a curse on the gold scorpion? Was he going crazy? We’re never told. The ghost follows a different movie’s script when it appears and vanishes.

This script also doesn’t tell us how an Egyptian servant can show up in isolated Sittaford in 1949 and get hired on, no questions asked. I understand that the servant problem was bad enough that the upper crust didn’t ask as many questions as they could. But here? Really?

We know Captain Trevelyan did potentially bad things in Egypt. Yet he wasn’t suspicious when this mysterious Egyptian showed up at his door? He’d been having weird dreams about his past. He’s got a burgeoning political career which means close scrutiny of his private life. He’s supposed to be a smart man.

Add in the even more incoherent subplot about the escaped prisoner from Dartmoor prison. None of that made sense; not the purchase of the inn a year prior to the events of the story, not the backstory of how the star-crossed lovers met, not how the prisoner escaped from Dartmoor prison and found his way across the moors to be reunited with his paramour and cousin and their eventual escape to freedom.

There’s also the American war profiteer who helped Captain Trevelyan make a fortune manufacturing substandard munitions that killed more American sailors than the enemy. The American war profiteer’s personal aide-de-camp and quack doctor made even less sense. Why did the war profiteer need him around, other than as a dogsbody? There was mumbled dialog that sounded like they were both in the mafia, but it was unclear.

We also meet the incompetent government clerk who’s looking into Captain Trevelyan’s background to ensure nothing questionable is revealed to the press, thus discrediting the party. He’s not doing a very good job if Captain Trevelyan was a known associate of American war profiteers and he doesn’t know.

Then there’s Charles Burnaby. In the novel, he’s boy-reporter Charles Enderby. The name change was the first step in his complete reworking of motives and backstory. Yet we get no foreshadowing of his dramatic personal life or of his connections to the Trevelyan family.

We get almost nothing of James Pearson’s connection to Captain Trevelyan either. We get even less of a reason for Emily Trefusis to be engaged to James Pearson, boy alcoholic, other than that old standby: He’ll inherit big when Captain Trevelyan dies. Maybe that’s why Emily runs off to Argentina with Violet. She gets the money and the girl and doesn’t have to marry the boy alcoholic.

I could rant on, but you get the picture: This movie was a mess, barely suitable for Timothy Dalton fans. ITV could have saved the cost of his salary and paid for a better script. Or, they could have capitalized on Timothy Dalton and added another twenty minutes of movie, explaining all the subplots and how they connected.

General Information

Based on: The Sittaford Mystery (U.S. title: The Murder at Hazelmoor; novel, 1931)

Run time: 1 hr., 40 min. Subtitles: No

Writer: Stephen Churchett

Director: Paul Unwin

Cast

Geraldine McEwan as Miss Marple

Timothy Dalton as Clive Trevelyan
Mel Smith as John Enderby
Jeffery Kissoon as Ahmed Ghali
Laurence Fox as James Pearson
Zoe Telford as Emily Trefusis
James Murray as Charles Burnaby
Rita Tushingham as Miss Elizabeth Percehouse
Michael Brandon as Martin Zimmerman
Paul Kaye as Dr. Ambrose Burt
Patricia Hodge as Mrs. Evadne Willett
Carey Mulligan as Violet Willett
Matthew Kelly as Donald Garfield
James Wilby as Stanley Kirkwood
Robert Hardy as Winston Churchill

Film Locations

The Flower Pot Pub, Henley-on-Thames, Oxfordshire (pub exterior)
Dorney Court, Dorney, Buckinghamshire (Sittaford House interiors)

***

Excerpt from Agatha Christie, She Watched by Teresa Peschel. Copyright 2023 by Teresa Peschel. Reproduced with permission from Teresa Peschel. All rights reserved.

 

 

Author Bio:

Teresa Peschel never planned to become a writer, nor did she plan to become an expert on film versions of Agatha Christie stories. Then, as a supportive wife, Teresa read and edited Bill’s annotations to Agatha’s first six novels. A desire to promote the books led to writing movie reviews for the Peschel Press website, which led to Bill suggesting they could publish a collection quickly. Two and a half years later, Agatha Christie, She Watched was born. This book got Teresa — and Bill as her supportive husband — an invitation to speak at the 2024 Agatha Christie festival in England.

Like Agatha Christie, Teresa reinvented herself and because of Agatha Christie, she’s become a better writer.

Catch Up With Teresa Peschel:

PeschelPress.com
Amazon Author Profile
Goodreads
BookBub - @peschel
Instagram - @peschel_press
YouTube - @peschelpress9911
X - @PeschelPress
Facebook - @PeschelPress

 

Tour Participants:

Click through the other tour stops for can’t-miss reviews, insider interviews, exclusive guest posts, and more chances to win!

Click here to view the Tour Schedule

 

 

A Mysterious Little Giveaway

This giveaway is hosted by Partners in Crime Tours for Teresa Peschel. See the widget for entry terms and conditions. Void where prohibited.

AGATHA CHRISTIE, SHE WATCHED by Teresa Peschel |

Can't see the giveaway? Click Here!

Get More Great Reads at Partners In Crime Tours

Lila's Journey

 

Historical Fiction

Date Published: 05-19-2024

Publisher: Mustard Seed Press

It’s 1866 on the Santa Fe Trail. Sixteen-year-old Lila Bonner is forced to make a life-changing decision that leaves her frightened and alone. With help from a kindhearted stranger, Lila reaches Council Grove, Kansas, where she hopes to build a new life. Fortified with determination, and tapping into a strength she didn't know she had, Lila deals with basic survival, Indian unrest, and an epidemic. As she develops into a wise, capable young woman, an unspeakably evil plot threatens her life as well as a blossoming romance. Her fate hangs in the balance between the person who betrayed her, the man she loves, and the woman she's become.

Excerpt from Lila’s Journey

She kept up a brisk pace through the wooded path as the sun peaked in and out of the clouds, shifting the shadows of the trees. Some of the trees had shed their leaves, but the mighty oaks still clung to theirs, and they rattled in the breeze. She kept her arms under her cloak for warmth but slowed momentarily when the sound of the rattling changed. She did a quick turnaround but saw nothing. “Must have been some critter scampering about,” she said, and picked up her pace again.

It happened so fast it scarcely registered.

Large hands overpowered her and grabbed her from behind, one covered her mouth, the other circled her waist. A surge of adrenaline triggered a painful heartbeat in her chest. She screamed through the clamped hand, but the sound was choked off. Lila struggled to free her arms from inside her cloak while she wildly kicked backwards. The harder she fought, the fiercer the grip. Lila raised her leg and shot it backwards again, this time hitting a shin. A rough voice cursed in her ear.

She was lifted off her feet and shoved against a tree, snapping the side of her head against the trunk. Pain shot through her head. Dazed, she made a feeble attempt to grab the arms. A hand slapped hard against her face. Spots danced before her eyes with the disappearing daylight, then nothing.

 

When Lila came out of the fog of unconsciousness, she found herself in darkness. She was blindfolded. She was on a horse with someone sitting behind her, someone with unspeakable body odor whose breath reeked of whiskey. What was happening? Who has done this? She had a throbbing headache, made worse with each step of the horse over the uneven ground.

Reaching for her head, she realized her hands were bound together. Why am I tied up? This makes no sense. She was a captive and there was nothing she could do to give herself any advantage. The realization sent her into a frenzy of fear, and tears swelled under her blindfold. Dear God, what am I to do?

Now fully awake, her heart pounded as she tried to clear her head. She had no idea how long she’d been unconscious, no idea where she was, no idea who sat behind her in the saddle. She shuddered to think who her captor was and what he had in mind.

 

About the Author

Award winning author Jane Coletti Perry’s second novel, Lila’s Journey, will be released summer 2024. Her short story “Lila’s Song” won Women Writing the West LAURA Award (2021) and is the prequel to Lila’s Journey. Her previous historical fiction novel, Marcello’s Promise (2019), was inspired by her family’s immigrant story. She loves nothing more than digging into history and discovering unique stories unless it’s bringing those stories to life through writing. An English major, Perry graduated from Iowa State University and participates in writer’s workshops, conferences, and local writing groups.

When she’s not writing, Jane is singing in a choir, exercising in some fashion, or soaking up nature from a shady spot in the yard with a good book. She and her husband live in Kansas and have two children and six grandchildren. She treasures time spent with their far-flung family and still entertains the fantasy of appearing on Dancing with the Stars for Grandmas, although the clock is ticking. . .

Jane is a member of Women Writing the West, Western Writers of America, and Wyoming Writers, Inc.

Contact Links

Website

Facebook

Goodreads

Purchase Today

The Yellow Hair

 

A Nick Drake Novel, Book 10

Mystery, Contemporary Western, Native American Literature

Date Published: 04-30-2026

Publisher: Jackdaw Press

New Badge. Old Blood.

Nick Drake traded his past for the Sheriff’s star, but Harney County doesn’t do election honeymoons. His tenure kicks off with a double homicide staged as a murder-suicide—a lie Nick isn't buying. As he digs into the crime’s rotting core, the rookie Sheriff finds himself fighting a war on two fronts: a lethal learning curve with unproven deputies and a political recall designed to bury him. In the high lonesome where secrets kill, Nick must strike first and strike hard. Because in this office, the only thing shorter than his term is his life expectancy.

 

Excerpt

Chapter 1

 

Potholes on a road I’d never traveled before grabbed at the wheels like a bad conscience seeking redemption. It led to a ranch east of Burns surrounded by withered hayfields scratched out of a dead sea of sage scrub. Tumbleweeds hung on rusty strands of sagging barbed wire. The wind-scoured house and barn looked ready to give up the ghost. If the call that brought me out proved true, the owners already had.

A brand new 1980 Cadillac Sedan de Ville was parked out front. The color made me think of the old saw about red skies in the morning. The driver’s door opened and released a cloud of cigar smoke followed by a big man wearing a pearl snap-button shirt and stockman boots. He set a summertime Stetson atop his crew cut and eyed the seven-point gold star on the door of my rig.

“I take it you’re the new sheriff,” he said. “I heard Harney County had a special election to fill the boots of the old one who got hisself killed.”

“Nick Drake,” I said. “And you are?”

“Red Caldera.” He chuckled. “Yup, I know, heckuva moniker. My folks idea at being clever. Pleased to make your acquaintance, though the situation inside is none too pleasing. Couple been dead a week, be my guess.”

When I didn’t make a move toward the house, he clicked his cheek. “I woulda thought you’d charge right in, but maybe you don’t know you’re s’posed to on account you’re new to sheriffing.”

“If they’re dead like you say, what I need to know first is why you went inside uninvited.”

The straw cowboy hat reared back as he aimed his double chin at me. “Now, hold it right there. I didn’t do nothing wrong. I’m the one called it in and I’m the one been cooling my heels on a hotter than a firecracker morning waiting for you to show up.”

 

 

About the Author

Dwight Holing is the award-winning author of twenty books, including the bestselling Nick Drake Mysteries and the popular Jack McCoul Capers. He is a member of Mystery Writers of America, Sisters in Crime, and Western Writers of America. He lives beside a coastal river in California with his wife and two dogs who’d rather swim than walk.

Contact Links

Website

Facebook

Goodreads

Instagram

Purchase Links

https://mybook.to/TheYellowHair

Amazon

Apple

B&N

Kobo

Cressida's Sacrifice

 

Steampunk Romantic Suspense

Date Published: April 10, 2026

 

 

 Clara looks for love in an alien city of lust. Can Cressida’s passion save the love of her life?

Automaton engineers Clara Wheeler and Edmund Blake travel to the moon with spiritualist Cordelia and her automaton lover, Adam, along with Home Office Agent Harry Kincaid. Clara has a suspicion their chaperones, the lusty Lunarians Pamela and Burton, are not the beautiful technologically advanced benefactors they seem. Clara fears the pair are hideous monsters, killing humans to possess their bodies.

Cressida Troy, now the Empress of Space, Nil Ilson, has sacrificed her humanity to marry the Lunarian emperor, Mon Ilson -- perhaps the most powerful witch of them all. As their visit to the lusty city progresses, both in and out of bed, Clara learns more than she wanted. She fears the experiment to open a portal to the other side risks not only the destruction of the Lunarians, but of humanity as well.

 

EXCERPT

 

I am very old, sometimes new, and my changes are looked forward to.

I am mostly silver, and occasionally wear a ruddy hue, but I am hardly ever blue.

I am brightest at night, and control the oceans with all my might.

And bless toiling farmers with my pearly light.

What am I?

Embarrassingly childish doggerel I know, but I enjoy composing riddles. They also afford a distraction from troubling thoughts. The puzzles can be complex and obtuse which I relish, or simple and obvious. The former irritates Edmund, my fellow Lovelace Protocol engineer exceedingly. He accuses me of showing off.

In the circumstances this one was far too easy to solve, and Burton Sobel, my Lunarian guide who’d become my lover, didn’t even bother saying the solution. He condescended to give me a reassuring smile as he tightened the buckle of my seat belt.

In desperate need for a more substantial diversion, I looked up into his handsome face with an obvious invitation. Taking the hint his lips quickly claimed mine with a passionate kiss. I returned it with enthusiasm, and felt instantly guilty, for I was simply using him. I needed him on my side if I was to solve the Lunarian riddle.

“Don’t be concerned,” he said after a long moment. He had mint green eyes, and his unwavering regard was disconcerting. Did he know what I was up to, I wondered. “I will look after you. I promise.”

“Thank you,” I told him, and snatched another kiss. I had to be sure I’d won him back after my beastly accusations. Though I believed them to be true, for the moment I must deny them. “You’ve been very kind. I’m quite recovered. I apologise for my wild imaginings.”

“Don’t dwell on it,” he said, and kissed me again. “It’s been a difficult few days.” He gave my hand a squeeze before pushing himself away to check on my fellow passengers.

Difficult indeed. The two automatons, Jack and Jill, my colleague Edmund Blake had been ordered to take to the Moon had broken their Lovelace Protocols and tried to kill Miss Cordelia Warrington, one of our fellow passengers.

I watched Burton glide gracefully toward the others. Like all Lunarians he was preternaturally beautiful, and that observation made me rehash my fears about them. Why did they look like us? If, as the rumours went, they came from the planet Mars, how was it they resembled humans in every respect? If Mr. Darwin was correct, that species evolved over time by accidental mutation, and the successful alteration selected by nature, how could two species separated by the gulf of space be so alike?

Not only that. Why were they so good-looking? Every Lunarian I had met, and granted that was precious few, were striking in their attractiveness. The observation was not mine alone. Even The Times declared them “diamonds of the first water -- exquisite, flawless, and as radiant as the Koh-i-Noor that graces our Sovereign’s crown.”

What aspect of impartial nature could select so handsome a race? Was that selection natural at all? I thought not.

That was not the only aspect that caused me discomfort. It was their character. Noted again by newspaper columnists who had the opportunity to meet them, the people from the moon were always polite to extremis in private, their behaviour in public impeccable. To me they were just too perfect.

That they had first come to the attention of the general public with a dazzling display of raw power -- destroying hundreds of airships and navy vessels in an instant. That dramatic appearance had saved the empire from a sneak attack by our European foes. The Queen’s wholehearted embrace of them, natural enough I suppose as they had come to us in our hour of need, worried me. The officious manner in which Her Majesty’s agents had press-ganged Edmund and me into our current situation further deepened my suspicions.

If that wasn’t enough, what I had surmised in the last few days terrified me. It seemed their leader, Mon Ilson, was a powerful witch who had mastery over life and death. Apparently, Mon Ilson was immortal. Our mission was to bring automatons to the moon so he could experiment on transferring the soul of a dead man into a machine. This was impossible, I was certain, however it seemed he could harness his magical powers to make the transfer possible.

The dark conclusion of my fears and surmising was that I suspected that Mon Ilson was transferring the souls of Lunarians into the bodies of humans he had killed. Not that he should choose only ill-featured victims, but he selected only attractive people to kill. It seemed to make his crime more perverse, if that were possible. My thread of reasoning was absurdly simple, like my silly riddles. No wonder Edmund scoffed and thought me eligible for a darkened cell in Bedlam or Coney Hatch. He had pulled at each strand, and my surmises had unravelled -- at least in his estimation -- into a messy pile of yarn. He seemed unaware that his infatuation with his Lunarian lover may have biased his criticism.

Nevertheless, I had entertained the notion that I was the victim of a crazed delusion, but Mr. Frasier -- Cordelia’s contact in the spirit world -- had given me some hope. Discovering that there really was a spirit world was yet another assault on my scientific creed. That I now relied upon a dead man to seek out the souls of those foully murdered by Mon Ilson to prove my claim, made me further doubt my sanity.

Madness aside, my assertion that the Lunarians intended to subjugate all of humanity, employing the military and industrial might of our Empire to accomplish it, was as clear to me as water. What galled me most was the betrayal of our sovereign, Queen Victoria. Willing or unwilling, weak or wilful, it seemed to me she had become a partner in this most diabolical crime, and it saddened me deeply to think it.

So, what was I to do about this?

I looked about the cabin. We were a strange collection: three women, two men, and one automaton. First was Miss Cordelia Warrington, a spiritualist who was to play a crucial role in a bizarre and outlandish experiment. She and Mr. Frasier, who I must insist is real as all my hopes rely on him, were to contact the soul of one Fritz von Wellen, and by doing so allow the Lunarian emperor to magically conduct him into the brain of an automaton. It was ludicrous to be sure. To deposit an incorporeal soul into a head filled with copper and brass ratchets and gears is simply preposterous.

“Doesn’t your soul, an incorporeal entity, reside quite happily in a vessel of flesh and blood?” Burton had reminded me with a condescending smile. “How is brass any different?”

I had bitten my lip. “Touché,” I replied. I suspected the experiment was simply the camouflage of the real task -- the transfer of Fritz’s soul into the body of a recently murdered human being.

 

About the Author

Aussie Mikala Ash used to be a mild-mannered training & development consultant by day, and a wild sci-fi and paranormal adventure writer by night. Now she is a brazen full-time writer and nature photographer who is concentrating on having among other things, “… bags, and bags of fun!” Mikala can be found on Facebook and on Twitter.

Author Links

Author on Facebook

Author on Twitter

 

Publisher on Facebook, Instagram, Twitter, and TikTok: @changelingpress

Save 15% off any order at ChangelingPress.com with code RABT15

Pre-Order Today

The Essence of His Soul

 

The Essence of His Soul
Mya Kay
Publication date: March 20th 2026
Genres: Adult, Contemporary, Romance

When Essence Taylor, owner of Taylor Made Music Group, steps into Mocha Tea & Trends—a new upscale coffee shop in Old City Philadelphia—she’s focused on business, not romance. But when she overhears the manager scrambling after an artist cancels last minute, Essence seizes the opportunity to showcase her newly signed songstress.

That’s when she meets Shane Bishop.

Philadelphia’s basketball sensation and the shop’s owner, Shane is instantly drawn to Essence. Their eyes meet, sparks fly—and Essence immediately shuts it down. A ball player is the last thing she needs distracting her from her purpose. But Shane can’t ignore the connection he feels as he watches her confidently seal the deal for her artist.

Later, one bold DM changes everything.

What begins as a cautious friendship between two preacher’s kids slowly unfolds into a God-ordained romance neither of them expected. But just as their bond deepens, their lives are shaken by family secrets, resurfacing past relationships, and a devastating incident that threatens to destroy both of their careers.

As rumors swirl and pressure mounts within the entertainment and sports industries, Essence and Shane must decide if their love is strong enough to withstand the weight of old wounds, public scrutiny, and painful truths.

Will they be able to hold on to what God brought together—or will the cost be too great?

Goodreads / Amazon / Girls Anthem

—

EXCERPT:

I looked at his face, then slowly walked over to him.

“Clayton wants to know when you guys can do dinner.”

My heart dropped in my stomach. I had been ignoring Clayton, literally not responding to any of his messages, but I also hadn’t blocked him.

“Babe, it’s not like that.”

He placed my phone down. “What is it like, Essence?”

I raised an eyebrow. Since we’d been dating, he barely called me by my first name.

I walked over to him, grabbing his hands. He let me. “My father thinks Clayton is the guy I should be dating. I told him I was dating but haven’t told him who, but my mother knows. Clayton and I went on a date four years ago and I haven’t talked to him since. My father thought giving him my number when he ran into him was a good idea.”

He stared at me intently. This was the first time he was looking at me, and I didn’t feel the warmth I usually felt. “Baby, I promise, you have nothing to worry about.”

“You know Rayna DM’d me about a week after we started dating. I blocked her because, even though we weren’t that deep yet, I knew we were on to something.”

I swallowed. I knew he was all in when we were on our third date. Shane was a one-woman type of man. I picked up my phone and blocked Clayton in front of him. Then I showed him the text thread.

“You can see I never even responded.”

“Then why not block him sooner?” he said, scrolling through the texts.

I started chewing on my bottom lip. I brushed my hair behind my ears, trying not to speak too soon.

“If I’m honest, this is scary for me. I’m afraid that this thing with you and I won’t work out. That’s not to say Clayton was a backup, because he knows that even if he was the last man standing, there would never be an us. Trust me.”

He smirked, placing the phone back on the counter. “He’s that bad?”

“Horrible.”

I laughed. He was still staring at me, but his smile faded.

“I don’t always feel safe,” I continued, hoping the rest of this would come out making sense, “and some of it has to do with what happened when I was younger. I also feel like my father’s controlling ways plays into how unsafe I feel. It’s like he would never let anyone else hurt me, yet he does it all the time; and then, there’s what my ex did.”

His face scrunched up. “Dixon?”

Author Bio:

Mya K. Douglas (Mya Kay) is an Amazon bestselling author, dynamic speaker, magazine publisher, and literary leader born and raised in North Philadelphia. Since 2012, she has authored and published fifteen books spanning genres from Christian romance to memoir.
In 2017, she co-authored Before Empire with Andria Mayberry, mother of Empire actor Bryshere “Yazz The Greatest,” featured on The Real. In 2022, she was selected as a semi-finalist for America’s Next Great Author, standing out as one of only 100 from over 800 applicants to pitch to judges including Jason Reynolds, Kwame Alexander, and Victoria Christopher Murray.
That same year, Mya made history as the first Christian romance author signed to B. Love Publications. Her work includes The Storms of Love series, Fumbled Your Heart, and The Essence of His Soul. She has earned nominations including Christian Fiction Author of the Year by AAMBC (2023) and Best Christian Book for The Essence of His Soul at the 2024 Literary Gem Awards. She is currently signed to Black Legacy Publishing under B. Love Publications.
Beyond writing, Mya is the founder of Girls Anthem Magazine, a faith-forward media company inspiring girls and women to pursue purpose without compromising their values.

Website / Goodreads / Instagram / TikTok / Threads / X

GIVEAWAY!

The Essence of His Soul Blitz

—

A REAL COLLUSION

 

This post is part of a virtual book tour organized by Goddess Fish Promotions. Stu Strumwasser will be awarding a $25 Amazon/BN gift card to a randomly drawn winner. Click on the tour banner to see the other stops on the tour.

A Real Collusion is about the secret conspiracy between the Republican and Democratic parties to control the US government through an illegal duopoly.

From the author of the bestselling novel, The Organ Broker, (hailed by Lee Child, New York Times # 1 bestselling author of the Jack Reacher series as, "Exciting and thought-provoking--the perfect package") comes, A Real Collusion, a stunning political thriller and expose.

A Real Collusion is a David Vs. Goliath(s) story about a man who accidentally becomes the leader of an independent political movement that nearly takes down the two-party system in America, while exposing a conspiracy that affects the results of the 2016 election. It explores universal and deeply human themes of loss, and the tension between justice and power. In the opening sentence the narrator points out that, “Ordinary people often do extraordinary things.” The characters in the book do, and the action is driven by the fantastic events of a unique political satire. It is also the heartfelt story of regular people struggling with lost love, alienation and nearly universal disaffection who find strength in enduring loyalty and friendship

This is the story of John Campbell (a regular guy from the lower east side of Manhattan) as recounted by his friend Skip Winters. Skip becomes John’s campaign manager and later, a congressman in his own right. He narrates the stunning-but-plausible story of how John Campbell and The American Coalition race to popularity, raising over a hundred million dollars from grassroots contributors—and become a threat to the political duopoly of the Democratic and Republican parties. The book sprinkles in references to real events from recent history, and real political leaders including Trump, John McCain, and more. This imbues the novel with a sense of realism, albeit one of an alternate reality. Skip discovers a deep-seated conspiracy within our political system whose leaders orchestrate a murder, destroy his friend and tip the scales of the election. The novel turns out to be Skip’s exposé of the secret collaboration between the two major political parties in our country—a cooperation to protect the duopoly that is, in part, real.

Read an Excerpt

"Ladies and gentlemen, my name is John Campbell, from the lower east side."

The crowd responded with another enthusiastic round of cheers, but this time John held up his palm and said, "Please, please…." And that threw a quasi-hush over the audience.

"Thank you for coming to this little park tonight to hear me speak. Three nights ago, on the evening of July 10th, I attended our local Community Board meeting to propose that cigar smoking not be allowed on the sidewalk in front of bars and restaurants. That's all. I was not there to critique our government and I didn't ask for any of the attention that I have since received. I'm just like most of you, and I never anticipated that newspapers and newscasters would ever solicit my opinions on political issues. But now they're asking, and I have decided that I have a responsibility to answer. I am not embarrassed to say… I care."

Then, John paused. He had their rapt attention and he knew it. He looked directly at me, suddenly brimming with confidence. It might have been the kind of glance that Keith and Mick sometimes give to the roadies right before they go into the encore. I think that the feeling which washed over me then was pride. John turned back to the crowd and loudly said, "So, would you like to hear my answer?!"

Thunder from the crowd. "Yeah!" they yelled, some pumping their fists in the air.

"I won't give it to you!" John shouted, but then quickly added, "Instead, I will give you my proposal for OUR answer!" which elicited yet another roar.

"In recent years our system of government has broken down. Everyone knows it. Washington has become caught up in never-ending partisan fighting. It was on display during the recent government shutdown. The two major political parties no longer represent us. Frankly, how could they represent the spectrum or sum total of the thoughts, feelings and will of three hundred million citizens? There is a reason that more young people now choose "Independent" than either party when they turn eighteen. The political parties today exist as little more than machines for the never-ending raising of money to combat the enormous amount of money raised by their opponents (their "enemy counter-party" or, as I prefer to refer to them: "fellow Americans.") Let's stop standing for it. The Democrats and Republicans currently run our nation like two petulant children fighting over which show to watch on TV and who gets to hold the remote. When one party chooses the program, the other storms out of the room. Is that really the way we want to be led?

About the Author

Stu Strumwasser is a modern-day muckraker who writes literary novels that address important sociopolitical issues. His first novel, The Organ Broker, was published by Skyhorse (distributed by Simon & Schuster) and shortlisted as one of five finalists for the Hammett Prize for literary excellence in crime writing. Strumwasser was also the primary songwriter and drummer for the indie rock band Channeling Owen. He is a longtime investment professional (investing in sustainable technology that improves the manner in which we make food) and hails from Brooklyn NY. His new novel, A Real Collusion, is both an exposé and analysis of broken government and a fictional David Vs. Goliath(s) story of the man who almost took down the two-party system in America.

WEBSITE: https://www.arealcollusion.com
Goodreads: https://www.goodreads.com/book/show/244895746-a-real-collusion
Instagram: http://www.instagram.com/stuthemeddler
Tik Tok: http://www.tiktok.com/@stuthemeddler
To read the first two chapters of the novel please visit: https://arealcollusion.com/first-two-chapters/

Amazon Link to pre-order Amazon EBook: https://www.amazon.com/dp/B0G5K3BJ1K
Amazon Link to pre-order Amazon Hardcover: https://www.amazon.com/dp/B0GCCR2XMS
BN.com EBook: https://www.barnesandnoble.com/w/a-real-collusion-stu-strumwasser/1148954359?ean=2940185040737
BN Hardcover: https://www.barnesandnoble.com/w/a-real-collusion-stuart-strumwasser/1148954359
Kobo: https://www.kobo.com/us/en/ebook/a-real-collusion
Google Play EBook: https://play.google.com/store/books/details?id=NxSlEQAAQBAJ&hl=en_US
Google Play Audiobook: https://play.google.com/store/audiobooks/details?id=AQAAAEDqp1LnqM&hl=en_US
Apple Books: http://books.apple.com/us/book/id6757249400
Payhip for the book: https://payhip.com/ARealCollusion

 

Giveaway https://kingsumo.com/g/3q5rwg3/a-real-collusion 

EVERYONE IS PERFECT HERE by Jane Haseldine

 

EVERYONE IS PERFECT HERE

by Jane Haseldine

April 6 - May 1, 2026 Virtual Book Tour

Synopsis:

There’s no such thing as perfect.

To the outside world, English professor Carly Bennett is a rising star…. poised, confident and on a fast-track to success. But behind her professional facade lies a childhood shattered by betrayal and her mother’s mysterious death.

Fifteen years earlier, Carly was shipped off to boarding school after being accused of threats she never made and exiled by her beloved mother and wealthy stepfamily. Throughout, Carly clung to her one ally, her stepbrother Julien…. until she discovered he masterminded her downfall.

Julien, now a psychiatrist, reappears in Carly’s life, apologetic and bearing news: before a fatal break-in, Carly’s mother planned to bring Carly home. Vindicated, Carly investigates her mother’s cold case. But doing so unearths memories that cause Carly to question her sanity and finally face the truth.

Was she responsible for her mother’s murder or is something more sinister at play in her former stepfamily’s still perfect world?

Praise for Everyone Is Perfect Here:

"This tense psychological thriller, where nothing is as it seems, will keep you on edge until the final reveal"
~ Kirkus Reviews

"This was a well-written and complex drama that immediately grabbed my attention, quickly becoming a page-turner as I had to know how this was going to end."
~ Dru Ann Love, Agatha, Anthony & Macavity Award-Winning Author, Raven Award Recipient

Book Details:

Genre: Domestic Suspense
Published by: Severn House
Publication Date: April 7, 2026
Number of Pages: 301
ISBN: 9781448320127 (ISBN10: 1448320127)
Book Links: Amazon | Kindle | Barnes & Noble | BookShop.org | Goodreads | BookBub | Severn House

Read an excerpt:

ONE

Present Day, Los Angeles
Carly Bennett

Light blue on dirty blonde.

Creative writing professor Carly Bennett did a quick scan of her face from its reflection in the window that overlooked the University of Southern California quad and smoothed a crease in her pencil skirt.

If Carly had known that the dean of the English department would schedule a last-minute meeting with her, she would’ve picked a better outfit than one that screamed, “I had no time to take this to the cleaner, so I ran a fast iron over it. But thank God the skirt is black so no one can see the stain from when my coffee cup lid jimmied its way free this morning.”

Nothing like near first-degree burns on your thigh from an errant Starbucks Pike to jolt a person awake during LA’s slog of a commute.

No matter. Here she was.

And she’d be ready. Even though she needed to master her prep on the fly.

Carly turned the corner to the English department’s Office of the Dean and forged through her speaking points that she’d deliver to her boss, Bert Scanlon.

“Making the LA Times’s ‘Thirty-Under-Thirty’ list was a complete surprise, but I’m so happy that the article will shine a spotlight on the great work our team is doing under your leadership.”

Ack. Too mealy-mouthed. Plus, it made her sound like a big-headed brown-noser. And nobody likes that person.

“Thank you for the kind words. Please know how much I appreciate that you believe in me, and I swear, I won’t let you down.”

Better, and that sentiment was from the heart.

Carly pictured her face, front and center on the page when she’d pulled up the LA Times story that morning and hoped that the people she used to know from her early Malibu days saw it too.

Elitist jerks.

As for herself, Carly had read the write-up, over and over, until she could now recite it in perpetuity.

Carly passed by the USC English department’s wall of fame, which showcased its students’ esteemed awards through the years. She paused when she saw her name, capturing a moment in time from freshman year. Her: scared to near speechlessness amongst the far cooler co-eds but finding strength behind her pen.

Winner of the 2018 Undergraduate Writing Prize—First Place: Carly Bennett

Had she really come this far? Most would’ve marked her a losing bet at age twelve, her personal line of demarcation, but sometimes, even dark horses can come from behind and win the whole damn thing.

Four. Three. Two. One.

“You got this,” Carly whispered.

She reached for the security of her inhaler in her briefcase and entered Scanlon’s office.

Gretchyn Olson, a middle-aged woman with salt-and-pepper hair was working the phone with precision. She held up a single finger when she saw Carly.

While she waited, Carly continued to clutch her briefcase in one hand and placed the other behind her back, where she dug a fingernail into a stray cuticle.

After a beat, Scanlon’s assistant put the call on hold.

“They’re waiting for you,” Gretchyn said. “Hang in there, kid. Sometimes, you need to play the game.”

They? And what game was she talking about?

Carly’s neck felt hot, but she made certain she was smiling when she entered the office, where she locked eyes with Scanlon, who rose to greet her. Scanlon had a Mr. Clean, shiny bald head, and his stomach struggled to stay behind the confines of the clasped gold buttons of his tweed coat.

Seated across from the dean of the English department was an unfamiliar male, who was well dressed, neatly manicured, and appeared to be in his early fifties.

Carly shot the stranger an equally polite smile. Who was this guy?

“Miss Bennett, thank you for taking time to swing by under such short notice,” Scanlon said.

“Of course, sir.”

Maybe the man was another reporter from the paper who covered the education beat and was writing a follow-up article on the English department.

“I don’t believe you’ve met Franklin Yeager. You taught Frank’s son, Landon, last semester.”

In that moment, Carly felt like someone had jabbed an ice pick into her high-flying helium balloon.

The room became very still as Carly struggled to find the appropriate response.

“In all due respect, if this is about my former student, I think any further discussion should be held in private and between the administration, but I was under the impression the incident and disciplinary action had been decided,” Carly said.

A robotic delivery, but at least she got the words out.

“There’ve been some developments that have been brought to my attention. I asked Frank to come in so we could clear the air, so to speak,” Scanlon said. “Please, sit, Miss Bennett.”

Carly kept her place, arms folded, standing above the men, but when Scanlon cleared his throat, she acquiesced and found a seat next to her former student’s father.

“Landon didn’t plagiarize the paper,” Yeager said.

Yes, he did! Carly wanted to scream. Instead, she slipped her hands underneath her legs, in case her palms started to sweat.

“If my son did cheat, I’d be the first to request that USC boot him out the door on his fanny,” Yeager continued. “But I know my kid, and I also know a liar, and Landon is beside himself over this false accusation. I’ll be honest with you, when Landon first told me about the whole mess, I was ready to call my lawyer, but since Bert is an old friend, I thought, why not try and hash things out man-to-man first.”

She had to respond. The words were there, ready to make her point, if only she could find the ability and the guts to say them.

“But he did ch-ch-cheat,” Carly said, despising the catch in her voice.

When was the last time she’d stuttered? Probably a year ago, during her annual review with Scanlon. She wondered if the universe would grant her a reprieve, and somehow the two men hadn’t picked up on her residual speech impediment, which still ambushed her in the worst possible moments, rising like an unkillable weed despite all her years of work to get rid of it.

She shot a glance at Yeager, whose mouth had turned up into a bow that resembled a smirk or, worse, pity.

If she were going down, at least she had to throw a punch.

“I want all my students to excel, and if they need extra time on an assignment, they know I’ll give it to them, and my door is always open if they need additional help. But the paper Landon wrote was a complete replica of one I received from a different student last year. We’re talking down to the semicolon.”

Carly looked to Scanlon, hoping for some back-up, but the dean kept his focus on Yeager.

“Then it wasn’t a case of cheating but purely accidental on Landon’s part,” Yeager said. “Or is the word coincidental? You’re the English whizzes in here, and I’m a businessman who wouldn’t know a semicolon from a hyphen, but I do know mistakes can be made, even by well-meaning young professors. How long have you been a teacher? You look more like a co-ed than a professor, and I mean that in the most complimentary of ways.”

Yeager chuckled, sounding to Carly like the laugh was cover so he wouldn’t sound like a creep.

Too late.

Carly fought to speak up and defend herself. But she remained still and silent, stuck between two powerful, rich males who were doing a very fine job of reeling in the young, errant female who didn’t know her place.

“This is my second year at USC.”

“Miss Bennett is still relatively new to our school as a professor, but she’s a rising star in our English department and did quite well as a student here before joining our professional fold.”

The heat that Carly had felt in her neck earlier had now exploded into a full-blown, five-alarm inferno, despite Scanlon throwing her a pseudo-bone.

Carly had crossed her legs and put a hand to her throat to try and cover her growing rash when she noticed Yeager was staring at something on the bottom of her black high heel. Whatever it was seemed to give him great satisfaction.

“Mr. Scanlon . . .” Carly pleaded, but the dean interrupted.

“I appreciate that you hold your students to the highest of standards, as you should, but since Frank is a trusted friend to the school, this time, we’ll expunge the previous disciplinary action and wipe the slate clean. Landon can resubmit the assignment and finish up the course through independent study, so he won’t lose credit. I have your word that Landon will be more careful in his work going forward, Frank?”

“You bet. My kid is a good boy, and I knew we could wrangle this problem to the ground. You have my word on my kid and on my continued support. Generations of Yeagers have supported this school, and we’ll continue the tradition. “Fight on for ol’ SC, our men fight on to victory!” Yeager warbled, hitting the notes of the USC fight song slightly off-key but with great confidence in his delivery.

When Yeager stood to shake the dean’s hand, Carly looked to the bottom of her high heel and saw a Macy’s close-out sale sticker still affixed to its outsole.

Her previous high-flying balloon was now bits of spent plastic that an entitled rich boy and his adult minions had tossed into the dumpster.

“No hard feelings, OK? New teachers can make mistakes with the best of them,” Yeager said.

He extended his hand to Carly.

You sold your integrity for a buck, and to a total cheese bag when you know I’m right! Carly wanted to scream to Scanlon.

Instead, Carly remained quiet and stared at Yeager’s outstretched hand.

Scanlon cleared his throat again.

“Miss Bennett, the matter has been settled,” Scanlon answered.

The dean’s eyes narrowed, and Carly followed his cue.

She reached for Yeager’s hand, gave it a quick shake, and regretted it the second her skin touched Yeager’s.

“That will be all, Miss Bennett.”

This was so unfair. She had to stand her ground.

“Is there something else you wanted to say?” Scanlon pressed.

Carly paused, searching for the words. They were right there, but when she jumped from the platform to catch the brass ring, she missed and spiraled into freefall.

“Miss Bennett?” Scanlon asked.

“Th–th–th–thank you, sir.”

She couldn’t remember leaving the office, but there she was, back in the lobby. Carly hurried past Gretchyn, and by the time she reached the corridor, she was certain that she heard the two men laughing from behind the office door.

“HA! HA! HA! HA! HA!”

*

After escaping the humiliation-fest in Scanlon’s office, Carly lowered her head so she wouldn’t have to make eye contact, or worse, engage in fake, idle chitchat after her fall, and continued her fast walk to the USC faculty bathroom. She had ten minutes until her advanced creative writing class started, which was threading the needle a bit, but the familiar vice was constricting her chest, and if she didn’t take a pull from her inhaler soon, she’d be in the throes of a full-fledged, not to mention very public, asthma attack.

She struggled for air and rushed into an open stall. Once inside, she slammed the door, snatched her inhaler from her briefcase, and gave it a quick shake. She heard the familiar whistling sound coming from her throat and shoved her rescue inhaler into her mouth.

Feeling like a five-hundred-pound man was now sitting on her chest, Carly fought to stay calm. She closed her eyes, forced herself to hold her breath for the requisite ten seconds between puffs and prayed for the corticosteroid to kick in.

When the tightness in her lungs loosened, she could see, plain as day, her old practice phrase, the one she’d started reciting at boarding school to help conquer her stutter.

When her breathing steadied to a normal inhale-in, exhale-out, she whispered the words aloud to find her center.

“The girl wore her hair in two braids, tied with two blue bows.”

Not bad. Her voice was clear and strong this time, unlike her herky-jerky performance earlier.

How had she let herself choke, and on such an epic scale?

Feeling like she was no longer dry-drowning from her asthma attack, Carly took one more hit of her inhaler. She squeezed the metal canister and pictured Scanlon’s and Yeager’s mugs, having a big old chuckle at her expense.

“Never again,” Carly whispered, not quite believing it, but at least it was a start.

She rose from crouching position in the stall, straightened her shoulders, and then shot her middle finger in the air.

“That’s bravery right there, giving the bird to a restroom door instead of standing up for yourself. Next time will be different.”

Carly exited the stall and was relieved to see the faculty bathroom was still empty.

She splashed cold water from the sink onto her face, then patted her sticky armpits with a wad of paper towels from the dispenser on the wall. A poor girl’s spa day.

Having no idea how much time had passed since the start of her asthma attack, Carly worried that she was late for her next class. She grabbed her phone from her briefcase to check the time and gasped.

On the home screen was a photo memory, which captured a hoped-for promise never to come.

Carly ran her finger over the image of her mother and studied her twelve-year-old self. The photo had been taken by her then soon-to-be stepbrother Julien, on the day she’d met him and the rest of the Whites.

A pang of melancholy cut through her. Everybody would’ve believed her if she were a rich boy.

***

Excerpt from Everyone Is Perfect Here by Jane Haseldine. Copyright 2026 by Jane Haseldine. Reproduced with permission from Jane Haseldine. All rights reserved.

 

Author Bio:

Jane Haseldine is a journalist, former crime reporter, columnist, and newspaper editor, and has also worked in politics as the deputy director of communications for a governor. Jane is the author of the Julia Gooden mystery series from Kensington Publishing and her upcoming domestic suspense novel, Everyone is Perfect Here, from Severn House.

Catch Up With Our Author:

www.JaneHaseldine.com
Amazon Author Profile
Goodreads
BookBub - @JaneHaseldine
Instagram - @janehaseldineauthor
X - @janeeyre77
Facebook - @janehaseldinebooks

 

Tour Participants:

Click through the other tour stops for can’t-miss reviews, insider interviews, exclusive guest posts, and more chances to win!

Click here to view the Tour Schedule

 

 

Where Not‑So‑Perfect Secrets = Perfect Prizes

This giveaway is hosted by Partners in Crime Tours for Jane Haseldine. See the widget for entry terms and conditions. Void where prohibited.

EVERYONE IS PERFECT HERE by Jane Haseldine | Gift Cards

Can't see the giveaway? Click Here!

Get More Great Reads at Partners In Crime Tours